pedro costa's trilogy, except maybe by alonso's but i don't know.. haven't seen la libertad yet but los muertos and fantasma are perfect. a find something in common between costa and tsai ming-liang, maybe even more so than alonso, definetely when speaking cinematically, the static camera and stunning composotions can be seen in costa's and tsai's work versus alonso's sort-of flowing camera; thematically on the other hand though, the comparison between costa and alonso is more appropriate.
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